• An Incorrect Response to An Open Pit

    For years people have told me that surface mines are bad — at least undesirable — destructive to land, even obliterating whole mountains. Nevertheless I have always found them fascinating to look at and aesthetically pleasing, as described by this image taken on the eastern edge of Arizona.    

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    June 19, 2020 By Redburnusa
  • Is This Still Life?

      “What photograph isn’t a still life?”      (Words of Garry Winogrand, American photographer.)   The usual definition of a still life goes like this: “An arrangement of mostly inanimate objects of various textures — porcelain artifacts, fruit and cut flowers for example — pictured in a way revealing something new about commonplace things.” Are the […]

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    June 18, 2020 By Redburnusa
  • The Angry Tongue

      This image puts me on guard, ready for a struggle. Why does this configuration speak loudly of aggression and danger? The focal point suggests the middle digit of a primate hand — upraised and thrust toward us by a snarling alpha male. Or it could be the sharp angry tongue of a reptile. The […]

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    June 18, 2020 By Redburnusa
  • Leaving the Realm of Photography

      Have we left photography behind here? In one sense the umbilical cord is still connected. We are attached to a particular time and place, lighting conditions and arrangement of things, so our indexical relationship exists with this real world scene. Still the feeling persists — we have left the realm of reality we know […]

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    June 18, 2020 By Redburnusa
  • Praise for the Specimen, #2

      We were coming to the end of an automobile trip and had reached south of Payson, Arizona. It was late in the day; everyone was tired and we looked forward to sleeping at home for the first time in a week. When I saw this regal cottonwood tree lit by the sun — circled […]

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    June 11, 2020 By Redburnusa
  • In Praise of Specimens

      Images of living and and non-living specimens — like portraits of people — can seem animated or they can just recline listlessly on the page. In photography serendipity always operates, but functions most fluidly in a skilled observer; on this winter morning finding such a vigorous wind-sculpted tree felt like one of those fortunate […]

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    June 10, 2020 By Redburnusa
  • The Two Most Difficult Subjects

      The Saguaro Cactus and the Grand Canyon — each is an intimidating subject. They are emblems of the Arizona territory, represented copiously in diverse media: oil paintings, photographs, refrigerator magnets and t-shirts to mention just a few examples. The saguaro grows only here; the grandest canyon on earth by the logic of superlatives exists […]

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    June 8, 2020 By Redburnusa
  • The Force of Icons

      They are impossible to resist. You try your hand at crafting an image despite tens of thousands who have come before you — tourists and professional photographers who made their own attempts with sporadic success. One cannot take the same photograph twice. You are encouraged and motivated by that; moreover, when standing before these […]

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    June 1, 2020 By Redburnusa
  • Concerning Minimalism

      I take minimalism to mean art which eliminates superfluous detail, the goal being to strip away unique embellishments, ending with pure visual experience. Pure — allowing a viewer to see what is there and nothing more. It might be the opposite of Baroque, a style known for profuse and luxurious surface detail, sometimes including […]

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    May 31, 2020 By Redburnusa
  • This Subject Seems Inexhaustible

      Regarding water in motion: Permutations of flow and reflection, Seem limitless. No stream the same, No glimpse, And no time alike.        

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    May 21, 2020 By Redburnusa

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