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What Is The Subject Here?
“Photography performs one function supremely well: it shows what something or somebody looked like, under a particular set of conditions at a particular moment in time. This specificity has been, and remains, photography’s boon as well as its bane …. An earnest and honest appreciation of subject matter is the genesis of a clearer, deeper […]
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Black and White Purity
If you survey current, ultramodern monochrome photos you will find an abundance like mine above, where near-coal blackness juxtaposes with higher-valued tones without much progression in between. This captures a West African musician at the climax of his performance; however usually the subject is landscape, cityscape or architecture, made with equipment designed to produce […]
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Photographic Quotations, Vol. 1
I take it quotation differs from homage. Homage is a gesture of respect, made by a lesser artist toward one considered on a higher plane of accomplishment. A quotation on the other hand is an intellectual cross-reference. To illustrate I share above a typical homage — to Harry Callahan — an esteemed photographer who seemed […]
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Mountain Gloom or Mountain Glory?
We see what artists have taught us to see. “During the first seventeen centuries of the Christian era, ‘Mountain Gloom’ so clouded human eyes that never for a moment did poets see mountains in the full radiance to which our eyes have become accustomed. Within a century — indeed, within fifty years — all […]
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My Own Saint Victoire
It is said Paul Cezanne painted Mount Saint Victoire in the Provencal region of France sixty times, watercolors included. He probably made drawings and sketches of this subject as well. Likewise I have returned over and over to this locally famous mountain in Arizona (which has similarities with Saint Victoire), made dozens of photographs […]
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Is This Still Life?
“What photograph isn’t a still life?” (Words of Garry Winogrand, American photographer.) The usual definition of a still life goes like this: “An arrangement of mostly inanimate objects of various textures — porcelain artifacts, fruit and cut flowers for example — pictured in a way revealing something new about commonplace things.” Are the […]
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Leaving the Realm of Photography
Have we left photography behind here? In one sense the umbilical cord is still connected. We are attached to a particular time and place, lighting conditions and arrangement of things, so our indexical relationship exists with this real world scene. Still the feeling persists — we have left the realm of reality we know […]
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Concerning Minimalism
I take minimalism to mean art which eliminates superfluous detail, the goal being to strip away unique embellishments, ending with pure visual experience. Pure — allowing a viewer to see what is there and nothing more. It might be the opposite of Baroque, a style known for profuse and luxurious surface detail, sometimes including […]
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Emulating Cezanne
Photographs taken with normal lenses naturally diminish the size of distant objects. In this image that Renaissance perspective has been defeated. Using electronic means, I have elevated and enlarged the mountain range by a factor of three, and likewise stretched the foreground trees and slope. This has organized space more explicitly into overlapping planes: foreground […]
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Borrowing From Mrs. Cameron
“Mrs. Cameron exhibits her series of out-of-focus portraits of celebrities. We must give this lady credit for daring originality, but at the expense of all other photographic qualities. A true artist would employ all the resources at his disposal, in whatever branch of art he might practice. In these pictures all that is good in […]