-
Some Beginner’s Luck
This is my first photograph of the natural world in the digital era. Despite technical flaws, I think it still works. I believe I had in mind an image by Ansel Adams entitled “Burnt Stump and New Grass,” so there is a copycat element here. Any journey worth taking begins with baby steps, often leaning […]
-
The Pleasures of Light and Dark
Chiaroscuro in my words means modeling objects and human figures (traditionally done by painters) using definite contrasts between darkness and light, as in our two photographs on this page. Often you will see deep shadows and luminous whites in the same composition, abruptly juxtaposed. Why does an image made with this technique give us pleasure? Michelangelo […]
-
Embellishments On A Tired Idea
If you have spent time studying photographs — especially in monochrome — either among present day examples or in compositions from our past extending back now almost 200 years, you will have noticed recurring themes. These become stale and impotent with repetition and enter the realm of hackneyed ideas. They exist in their millions almost […]
-
On the Importance of Minerals
“The world is going to pieces and people like Adams and Weston are photographing rocks!” Henri Cartier-Bresson, Deceased French Photographer In our headline Mr. Cartier-Bresson scorns the work of American photographers Ansel Adams and Edward Weston. His comment is sarcastic but contains a relevant question: could there be any meaning in photographing the natural […]