• This Subject Seems Inexhaustible

      Regarding water in motion: Permutations of flow and reflection, Seem limitless. No stream the same, No glimpse, And no time alike.        

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    May 21, 2020 By Redburnusa
  • It Blesses You When You Find It

      You might see a river on a map of Arizona and decide to pay a visit. However, often when you look for the water you do not find it. Water is rare here — and flowing water vanishingly rare — so when you discover a cottonwood gallery like this rising from the banks of a […]

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    May 20, 2020 By Redburnusa
  • Zoomorphic Rocks — Is There An Explanation?

    Everywhere I go in the desert I see individual stones and stone formations resembling animals. Many look like dinosaurs, as in the image above in the Mojave. Others are more enigmatic — an example of which follows in the photograph below. There I see a stylized horse clearly; others perceive a lion’s head attached to […]

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    May 20, 2020 By Redburnusa
  • The Eyes Are Hardly Necessary

      A portrait requires a look into the eyes of the subject — or does it? Here I think we can tell a lot without the eyes. The lines and folds on the man’s face and neck reveal like tree rings a long life, a witness to an eventful stretch of history. There is an […]

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    May 20, 2020 By Redburnusa
  • The Repetition of Like Forms

    Elementary treatises on composition advise looking for and capturing photogenic repetitions of similar objects, a fundamental technique. These motifs can be overused, but have not become clichés in my estimation, because subjects can vary so widely. A better description might be stock-in-trade or standard equipment. The street vendor whose cart appears above has carefully arranged […]

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    May 19, 2020 By Redburnusa
  • WYSIWYG, Portrait #1

    I am neither related to — nor acquainted with — my subject. I do not know how she occupies her time and have no biographical data about her. Her face interested me while I watched a Veterans Day parade from the sidewalk; she looked straight at me when I raised my camera, then gifted me […]

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    May 19, 2020 By Redburnusa
  • Working With the Dead

    “All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.” Susan Sontag (from On Photography) Editing a photograph like this in light of Ms. Sontag’s formulation provokes strange sensations. […]

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    May 18, 2020 By Redburnusa
  • Alone in the Mostly-Empty West

      On a solitary trip last year I was daily reminded that our continent remains mostly empty; you can travel for miles in the Far West without seeing humans or human structures (except roads and railroad tracks) anywhere. When geographers and demographers declare nearly half our population lives near the Atlantic, Pacific and Gulf coasts, […]

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    May 15, 2020 By Redburnusa
  • Emulating Cezanne

    Photographs taken with normal lenses naturally diminish the size of distant objects. In this image that Renaissance perspective has been defeated. Using electronic means, I have elevated and enlarged the mountain range by a factor of three, and likewise stretched the foreground trees and slope. This has organized space more explicitly into overlapping planes: foreground […]

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    May 15, 2020 By Redburnusa
  • A Struggle Among the Street Ladies

    Once a month in the street below my apartment in the Dokki district of Cairo, alms were distributed from the local mosque to widows and poor women of the neighborhood. This often gave rise to a dispute. The destitute ladies would crush one another trying to reach a woman in the center handing out paper […]

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    May 15, 2020 By Redburnusa

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